Aamir Khan is a big brand overseas for last one decade. His films run to huge numbers and he has opened new territories like China for Bollywood.
Overall, both movies have a difficult path unless reviews turn out to be really positive or audiences turn out in large numbers tomorrow, on August 15, or over the Rakshabandhan festival.
Both the films have decent hype and good reviews from early screenings. There seems to be zero or negligible effect on films from this nonsensical boycott gangs’ hue and cry.
The film started well in advance booking numbers and though it’s not huge but better than most of the recent releases and only second to 83.
Akshay Kumar starrer Rakshabandhan is set to release on 11th August alongside another biggie Laal Singh Chaddha. This clash is much hyped and both the actors are promoting their films …
Some users are standing in support of both the films, while some are demanding to boycott their films due to the statements of Akshay Kumar and Aamir Khan.
Vikrant Rona is a big budget Kannada film and will also be releasing in Tamil, Telugu, Malyalama, Hindi and English.
The lead actor, Kartik Aaryan, has managed to extend his reach among the general public, making him the biggest beneficiary of the success of Bhool Bhulaiyaa 2.
Aishwarya Rai Bachchan is all set for a comeback with Mani Ratnam’s magnum opus Ponniyin Selvan: Part 1 (PS-1), slated to release worldwide on September 30 in Tamil, Hindi, Telugu, Malayalam and Kannada.
Alia Bhatt has maximum successes as female lead of not one but three films – Dear Zindagi also starring Shah Rukh Khan, Raazi, also starring Vicky Kaushal & Sanjay Leela Bhansali’s Gangubai Kathiawadi.
The film business observed that even the best directors, producers, performers, and the most extravagant budget can’t salvage a movie if the plot fails to enthrall the audience.
Delivering flops is understandable as the post-pandemic times have changed and these all are films under production since pre-pandemic days. But the worrisome factor is shocking zilch opening day numbers for each of their film and disaster lifetime collections.
