The Drishyam game is changing again, and this time the twist begins long before the cameras roll. Abhishek Pathak has confirmed that the Hindi version of Drishyam 3 will be different from the Malayalam film, instantly giving the franchise a fresh layer of intrigue for viewers who thought they might already know where the story was headed.
That one revelation alters the mood around the third chapter. Drishyam has always depended on precision, tension and the terrifying thrill of watching Vijay Salgaonkar stay one step ahead. If the Hindi film is now taking a different route, the suspense is no longer limited to what happens next inside the story. It extends to how the makers plan to reinvent one of Hindi cinema’s most closely watched thriller franchises.
Abhishek Pathak Signals A New Hindi Endgame
Speaking about the film, Pathak said the Hindi Drishyam 3 will be different from the Malayalam original. For a franchise built on concealment, memory and misdirection, that is a major creative call. It means the Hindi adaptation is not positioning itself as a straightforward replica of Mohanlal’s next chapter, but as a film designed to preserve surprise for an audience that tracks every turn in this universe.
That decision also sharpens the anticipation around Ajay Devgn’s return as Vijay Salgaonkar, a character he has played with striking stillness and control. In the Hindi films, Vijay’s quiet intelligence has been the engine of the drama, and the idea of placing him in a storyline that may diverge from the Malayalam version gives the new installment a far more unpredictable pulse.
Why This Twist Changes The Stakes
The Hindi Drishyam journey began in 2015 with Nishikant Kamat’s adaptation of Jeethu Joseph’s acclaimed thriller. Starring Ajay Devgn, Tabu, Shriya Saran, Ishita Dutta and Mrunal Jadhav, the film followed a man who constructs an almost impossible shield around his family after a crime threatens to destroy their lives. The sequel deepened that emotional and psychological battle, turning the franchise into a formidable box office and audience success in Hindi.
What makes Pathak’s latest comment especially interesting is that it reframes Drishyam 3 as more than a continuation. It positions the film as a test of how far the Hindi version can push its own identity while protecting the franchise’s greatest weapon, surprise. For audiences invested in every clue, every cover up and every confrontation, that promise matters as much as any casting update.
Ajay Devgn’s Recent And Upcoming Work
The timing is notable in Ajay Devgn’s career. Over the past two years, he has moved between sports drama, romance and franchise spectacle with films such as Maidaan, Auron Mein Kahan Dum Tha, Singham Again and Raid 2. He also has sequels like Son of Sardaar 2 and De De Pyaar De 2 on the horizon. Yet Vijay Salgaonkar occupies a very different space in that lineup.
Unlike Devgn’s louder commercial roles, Vijay is defined by restraint, calculation and moral ambiguity. Returning to Drishyam 3 at this stage reinforces one of the actor’s most enduring strengths, his ability to command a thriller without theatrical excess. And now, with Pathak making it clear that the Hindi film will not mirror the Malayalam path, Vijay’s next move feels newly dangerous, and far harder to predict.
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