Salman Khan’s untitled film with director Vamshi Paidipally is heading into a decisive new stretch, and the makers are making sure the conversation stays exactly where they want it, on the film itself. Amid swirling industry talk around the star’s remuneration, the banner has now issued a firm clarification, calling the claims “purely speculative and factually incorrect,” and pushing the focus back to production as the next major schedule begins in Mumbai on August 6.
That statement lands just as the action entertainer moves into one of its most demanding phases yet. With a six week shoot lined up and large scale staging planned, the film is now entering the kind of schedule that often defines the visual identity and theatrical muscle of a star vehicle of this size.
Mumbai Schedule Turns Up The Scale
The upcoming Mumbai leg is expected to run for six weeks and is being designed as one of the film’s most ambitious shooting stretches so far. According to the source material, the schedule will include three major action set pieces along with large crowd scenes featuring hundreds of junior artistes, with the action portions expected to continue through September and move toward an October wrap.
One source said, “The makers had initially planned to conduct the schedule in Hyderabad, but it was moved to Mumbai. This leg is heavily dependent on crowd work, with scenes involving hundreds of junior artistes. The action team has planned large-scale sequences, and the crowd movement in them is as important as Salman’s stunts. Adding to the excitement, Nayanthara is expected to join the unit during the upcoming schedule.”
The producers’ clarification has only sharpened interest around the project. In its official response to the fee chatter, the makers called the claims “purely speculative and factually incorrect,” a line that leaves little room for ambiguity and signals a clear intent to shut down distraction at a time when the film is ramping up on set.
Why This Salman Khan Film Feels Bigger Right Now
What makes this schedule particularly significant is timing. Once a big budget Salman Khan entertainer moves into its most action heavy leg, the film begins to feel less like an announcement and more like an event in motion. With crowd driven sequences, stunt choreography, and a sustained shoot window now in play, the project’s momentum is becoming tangible, and so is the anticipation around how Vamshi Paidipally stages Salman in a full scale theatrical action space.
That larger sense of momentum also arrives at an interesting point in Salman Khan’s current lineup. He was last seen in Sikandar in 2025, which stands as his most recent confirmed release on major film databases. His next confirmed theatrical film is Battle of Galwan, listed for release on April 17, 2026, while SVC63 is currently positioned for a 2027 release.
Seen in that context, SVC63 carries added weight. It is not just another title on the slate, but a film that could shape the next phase of Salman Khan’s big screen run through a fresh director actor pairing and a scale built squarely for theatres. With Mumbai now set for its biggest action push, the road to Eid 2027 has started looking a lot more real.
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