Ray Review: Ray is a journey into a dark inner-consciousness where things aren’t as they seem

Ray is psychological thriller consisting of four short stories. Directed by three directors and originally produced by Viacom 18.


We have always believed in Satyajit Ray’s supremacy. The legendary story writer has always been way ahead of his time. His remarkable stories are not even for the present time, it’s way ahead of us. We couldn’t repay him back for the masterpieces, he left for us. But Netflix made sure that what kind of supremacy we have lost. Ray streaming on Netflix looks like an classic masterpiece.

Ray is psychological thriller consisting of four short stories. Directed by three directors and originally produced by Viacom 18. The trio have portrayed the originality of the written texts with the mixture of their own creative sensibilities. The anthology is an different take on vital and minimalistic tales of human foibles.

Forget Me Not:

In Srijit Mukherji’s Forget Me Not, Ali Fazal plays Ipsit, a fascinating character. He falls into a personal and professional tragedy planned by someone he trusts as a handsome, debonair, and exceptionally clever company partner who arrogantly prides himself as one whose memory never fails.

He encounters a woman at a pub one evening who tells him they had a sexual fling in a hotel near the Ajanta Caves. Despite the woman’s detailed account of the event, Ipsit has no recollection of it. This chapter begins to lose its focus near the conclusion, and Shweta Basu Prasad’s performance as Ipsit’s assistant, Maggie, is a little too wooden.


In Mukherji’s other episode, Bahrupiya, Kay Kay Menon plays a movie makeup artist who utilises his expertise to destroy his opponents, but soon finds himself defenceless. Menon isn’t as awful as Indrashish, attempting to alter his appearance with various prostheses. But he is unprepared for the fatal results.

Indrashish (Kay Kay Menon) seeks to confront people who he believes have mistreated him in this frightening psychological thriller.

Hungama Kyon Hai Barpa:

Hungama Kyon Hai Barpa by Abhishek Chaubey addresses kleptomania, an extremely distressing disorder. This section is the most engaging, as it is shot nearly entirely inside a first-class airconditioned coupe. Musafir Ali (Manoj Bajpayee) is taken aback when he sees Baig (Gajaraj Rao) there for the ride.

With Hungama hai kyun Barpa, the strongest story in this anthology, the mood and tone shift dramatically.


Bala has directed Spotlight, which is based on the same-named storey. The film, which is wacky and over-the-top, encourages us to consider the negative aspects of living in the public eye. Is it possible to be a victim of one’s own image? Vikram Arora, played by Harsh Varrdhan Kapoor, is a big cinema actor who is unhappy with his creative output.

When he meets Didi (Radhika Madan), a respected cult leader whose clout threatens and overshadows his celebrity, his anxieties and insecurities get the best of him. Vik’s manager, played by Chandan Roy Sanyal, tries to help him salvage the situation. Spotlight is a surreal recounting of Ray’s storey, peppered with many Ray references and hat tips to the maestro’s flicks and characters.

In a nutshell, the bold retelling of the maestro’s short stories is well worth watching.













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