In a market where mid-range Hindi films often lose steam after the weekend, Prahaar has done just enough to stay standing, and that has become its real box office story. Rajkummar Rao’s legal drama biopic has wrapped its first week at Rs 18.50 crore nett, using consistency rather than opening-day fireworks to carve out a respectable theatrical run.
The seven-day trend underlines that steady climb. Prahaar opened at Rs 2.35 crore, collected Rs 3.25 crore on day two, and added Rs 3.75 crore on day three for a solid weekend base. It then brought in Rs 2.25 crore on day four and Rs 3.40 crore on day five. The final two days of the first week added Rs 1.75 crore and Rs 1.75 crore respectively, taking the running total to Rs 18.50 crore nett.
First Week Trend Shows A Stable Run
For a courtroom-led biographical drama, that hold matters. The film did not depend on a front-loaded surge and instead found enough audience support to remain stable once the weekdays began. That is especially significant for a title driven more by subject and performance than by spectacle. With Rs 18.50 crore nett already on the board after seven days, Prahaar has given itself a genuine chance to stretch further in its second week and move toward a Rs 25 crore nett lifetime finish.
That first-week endurance also throws the spotlight back on the film’s core appeal, which lies in its fact-based narrative and performance-heavy treatment rather than conventional commercial packaging.
Prahaar Box Office Collection:
Day 1: 2.35 cr
Day 2: 3.25 cr
Day 3: 3.75 cr
Day 4: 2.25 cr
Day 5: 3.40 cr
Day 6: 1.75 cr
Day 7: 1.75 cr
Total: 18.50 crore nett
What Prahaar Is About
Prahaar: The Untold Story of Ujjwal Nikam is a Hindi legal drama directed by Avinash Arun and produced by Dinesh Vijan under Maddock Films. Rajkummar Rao stars as public prosecutor Ujjwal Nikam, with Wamiqa Gabbi, Jaideep Ahlawat, Sikandar Kher, Ashish Vidyarthi, Lalit Prabhakar, and Ritvik Sahore featuring in key roles.
Released in theatres on October 16, 2026, the film draws from the life and courtroom battles of one of India’s most well-known public prosecutors. Its central thread follows the legal fight that unfolded in the aftermath of the 26/11 Mumbai attacks, giving the film a justice-driven spine that sets it apart from a routine biopic.
That kind of role also fits neatly into Rajkummar Rao’s larger career pattern, where author-backed parts have remained one of his biggest strengths.
Rajkummar Rao’s Recent And Upcoming Work
Rao’s recent releases include Srikanth in 2024 and Bhool Chuk Maaf in 2025, two films that once again highlighted his range across very different storytelling spaces. Over the last few years, he has continued to move between mainstream theatrical projects and content-led titles, building one of the most varied filmographies among his peers.
Looking ahead, Toaster remains among his next confirmed releases. That makes Prahaar a notable addition to his current phase, because the film once again places him at the center of a performance-led narrative that depends heavily on conviction, restraint, and audience buy-in rather than scale alone.
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