The Vvaan Crosses 35,000 Tickets In National Chains, Eyes A Good Opening Day At The Box Office

The Vvaan has found its late surge at just the right moment. Hours before release, the Sidharth Malhotra and Tamannaah Bhatia starrer crossed 35,000 tickets in the top national chains, giving the film a sharp final advance push and putting it firmly in the conversation for a good opening day at the box office.

The more striking detail is where the film is drawing its strongest early energy. Bihar has emerged as the surprise driving force in the advance, with the film’s Chhath-linked backdrop appearing to click quickly in the region. That local momentum, paired with the national chain tally, has given The Vvaan a solid platform as it heads into its first day in cinemas.

National Chains Give The Film A Firm Start

The Vvaan has crossed 35,000 tickets in PVR Inox and Cinepolis for day one, a figure that gives the release a credible base before the first show even begins. For a mythological fantasy drama that is banking on scale, mood and festive resonance, that count reflects a strong close in bookings and a clear sign of pre release pull.

The film’s advance is not operating in isolation either. The national chain performance has come with added strength in the wider market, helping the release build a more balanced opening-day profile than a purely multiplex-driven title.

Bihar Leads The Early Response

Bihar is shaping up as the key territory for The Vvaan ahead of release. The Chhath connection appears to have worked in the film’s favour, giving it a distinct regional edge and lifting its early response in a way that few other circuits have matched so far.

That kind of support can be crucial for a film that is aiming to open on atmosphere and rooted appeal as much as star value. With Bihar setting the pace, the broader box office picture now looks more interesting because the film has found a market where its theme and timing are working together.

Top Advance Booking In National Chains In 2026

1. Dhurandhar The Revenge 9,25,000 tickets

2. Toxic: 2,45,000 tickets  

3. Border 2: 1,45,000 tickets

4. Mirzapur The Movie: 1,25,000 tickets 

5. Awarapan 2: 1,18,000 tickets 

6. Bhooth Bangla: 72,000 tickets 

7. Cocktail 2: 70,000 tickets 

8. Welcome To The Jungle: 52,000 

9. Alpha: 40,000 tickets 

10. Dhamaal 4: 38,000 tickets 

11. Vvaan: 35,000 tickets 

12. Ikkis: 35,000 tickets 

13. O Romeo: 33,500 tickets 

14. Hai Jawani To Ishq Hona Hai: 30,000 tickets 

15. Governor: 26,000 tickets* (50 Rs) 

16. Chand Mera Dil: 27,000 tickets 

17. Batwara 1947: 22,500 tickets 

18. Main Vaapis Aaunga: 18,000

19. Mardaani 3: 15,000 tickets 

20. Pati Patni Aur Woh 2: 14000 tickets

21. Bharat Bhagya Vidhata: 12,000 tickets 

22. Haiwaan: 7,500 tickets 

23. Haunted 3D Echoes Of The Past: 5500 tickets

24. Daayara: 4,500 tickets 

25. Tu Yaa Main: 1200 tickets 

Deepak Kumar Mishra Brings A Mythological Fantasy To The Big Screen

That regional traction also ties directly into how The Vvaan has been positioned theatrically. Directed by Deepak Kumar Mishra, the film is a mythological fantasy drama led by Sidharth Malhotra and Tamannaah Bhatia, with a festive backdrop that gives it a clear cultural anchor. Its folklore-driven tone and scale-based presentation are designed for a theatrical audience, and the early booking pattern suggests that hook is landing in the right pockets.

Rather than leaning only on star power, the film’s opening appears to be benefiting from its setting and genre identity. That gives The Vvaan a more defined first-day proposition as it enters a competitive box office frame.

Why This Opening Matters For The Lead Pair

For Sidharth Malhotra and Tamannaah Bhatia, the significance of this start lies in the kind of film The Vvaan is attempting to be. It is a scale-led commercial release that needs a firm day-one footing, and crossing 35,000 tickets in national chains delivers exactly that base. A good opening day now becomes the key marker, because it will decide how strongly the film establishes itself from the outset in the current theatrical market.

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